The work of Louise Garland engages with the philosophical belief in the continuum of life. It examines the very nature of existence linking the personal with the metaphysical, whilst referencing the collective notions of archaic symbolism.

Garland incorporates found material into her pieces, reinventing its status and potential suggestive qualities into relief structures. There is a strange alliance between the familiar and unfamiliar and with the deconstruction of object, reinvented to form a highly seductive quality to the surfaces. The works are rigorously composed through the use of measurement, geometry of mathematical calculations such as the use of re-occurring numbers, or the Fibonacci system, and presents us with thought provoking and sometimes witty configurations of both our existence and of our greater consciousness.